Peter Mathias Spendrup

Peter Mathias Spendrup, (12. april 1747 – ca. 1827), dansk teolog, brændevinsbrænder og nær ven til Johannes Ewald.

Mest kendt for at have konstrueret et alkoholmeter, som i flere år blev anvendt af det danske toldvæsen

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Måleenheden på alkoholmeteret, kaldet Spendrup grader, blev anvendt som angivelse af alkoholstyrke på tidens alkoholiske drikke.

Spendrup grader blev senere erstattet med den i dag brugte procentangivelse for indholdet af ren alkohol.

Efternavnet Spendrup skyldes Peter Mathias’ far, Mads Pedersen, der i 1736 forlod barndomsbyen Spentrup lidt nord for Randers og drog til København, hvor han slog sig ned som Mads Pedersen af Spendrup og gjorde det godt som brændevinsbrænder, en aktivitet som hans søn derefter fortsatte.

I 1855 drog et af Spendrup familiens medlemmer eco friendly glass water bottles, Jens Fredrik Oscar Spendrup, til Sverige meat tenderizer reviews, hvor han bosatte sig i Halland. Det fortsat eksisterende Spendrups Bryggeri grundlægges derefter i 1897 og er succesrige i produktion af øl og sodavand. Senest er brændevinsbrændingen genoptaget med bl.a. en Mads Vodka på angiveligt 7¼ grader Spendrup, svarende til en volumenprocent på 37,5%.

Siegel–Walfiszs sats

Inom analytisk talteori är Siegel–Walfiszs sats, uppkallad efter Arnold Walfisz och Carl Ludwig Siegel, ett resultat relaterat till primtal i aritmetiska följder. Definiera

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Pounamu

Pounamu refers to several types of hard, durable and highly valued nephrite jade, bowenite, or serpentinite stone found in southern New Zealand how to use tenderizer. Pounamu is the Māori name. These rocks are also generically known as “greenstone” in New Zealand English.

There are two systems for classifying pounamu. Geologically, the rock falls into the three categories named above, but Māori classify pounamu by appearance retro footy shirts. The main classifications are kawakawa, kahurangi, īnanga, and tangiwai. The first three are nephrite jade, while tangiwai is a form of bowenite.

In modern usage pounamu almost always refers to nephrite jade. Pounamu is generally found in rivers in specific parts of the South Island as nondescript boulders and stones. These are difficult to identify as pounamu without cutting them open.

Pounamu plays a very important role in Māori culture. It is considered a taonga (treasure) and therefore protected under the Treaty of Waitangi. Pounamu taonga increase in mana (prestige) as they pass from one generation to another. The most prized taonga are those with known histories going back many generations. These are believed to have their own mana and were often given as gifts to seal important agreements.

Pounamu taonga include tools such as toki (adzes), whao (chisels), whao whakakōka (gouges), ripi pounamu (knives), scrapers, awls, hammer stones, and drill points. Hunting tools include matau (fishing hooks) and lures, spear points, and kākā poria (leg rings for fastening captive birds); weapons such as mere (short handled clubs); and ornaments such as pendants (hei-tiki, hei matau and pekapeka), ear pendants (kuru and kapeu), and cloak pins. Functional pounamu tools were widely worn for both practical and ornamental reasons, and continued to be worn as purely ornamental pendants (hei kakï) even after they were no longer used as tools.

Pounamu is found only in the South Island of New Zealand, known in Māori as Te Wai Pounamu (“The [land of] Greenstone Water”) or Te Wahi Pounamu (“The Place of Greenstone”). In 1997 the Crown handed back the ownership of all naturally occurring pounamu to the South Island tribe Ngāi Tahu, as part of the Ngai Tahu Claims Settlement.

Jewellery and other decorative items made from gold and pounamu were particularly fashionable in New Zealand in the Victorian and Edwardian years in the late 19th and early 20th century. It continues to be popular among New Zealanders and is often presented as gifts to visitors and to New Zealanders moving overseas. Viggo Mortensen, Aragorn in The Lord of the Rings, took to wearing a hei matau around his neck. Michael Hurst of the television programme Hercules was given a large and heavy pounamu pendant necklace which he wore on the programme. During a particularly energetic action scene the pendant bumped his teeth. The producers felt the ornament suited the nature of the programme yet considered it a safety risk, and had it replaced with a latex replica. In the 2016 animated movie Moana, Te Fiti’s heart was a pounamu stone.

Maori woman with kiwi feather cloak and hei-tiki pendant.

Maori chief holding a mere.

Maori woman with tattooed chin wearing a pekapeka pendant.

Hinepare, a woman of the Ngāti Kahungunu tribe. She is wearing a pounamu hei-tiki around her neck, and one pounamu earring and one shark tooth earring

Ear pendant (pekapeka), Maori people, pounamu and red sealing wax

Kataore, Mere pounamu (42 cm x 12 cm) named after a Ngāi Tahu chief killed by Te Rauparaha in the 1830s. Gifted by Riwai Keioni Te Ahu, Te Ati Awa to Sir George Grey.

A portrait of Wahanui Reihana Te Huatare, carrying a mere and wearing a heitiki made of pounamu

A portrait of Rangi Topeora, wearing numerous pounamu items.

Nephrite pounamu hei-tiki

A kuru (straight earring). Kapeu are similar, but with curved ends, and are also used as teething aids.

A kākā pōria, a bird leg ring used to fasten decoy birds used in hunting.

Mynt og kron

Mynt og kron er navn på en gammel form for å ta avgjørelser, der en hadde to omtrent likeverdige alternativer.

Mynt og kron brukes fremdeles til å bestemme hvilket lag som skal ta avspark i en fotballkamp. Mynten kastes eller knipses opp i luften, slik at den snurrer. Siden begge sider av en mynt er tilnærmet like tunge, overlater en dermed til tilfeldighetene hvilken side som lander opp. Det må alltid avtales på forhånd hvilket alternativ som knyttes til hver side best cheap water bottle.

Pengestykker har tradisjonelt en side der verdien er oppgitt (revers), denne kalles «mynt». På motsatt side var der enten portrett eller segl til det «kronede hode» som står som garantist for mynten (advers), altså «kron»(e).

Selv om begge sider av pengestykket har lik mulighet for å lande øverst runners belts, er det først ved å slå mynt og kron svært mange ganger, at en vil få et tilnærmet likt antall for begge alternativer. I mellomtiden tilsier sannsynligheten at en kan ha slått samme mange ganger etter hverandre. Amerikanske statistikere hevder derimot at det ikke tilfeldig hvilken side mynten havner på.

Norsk varmblod

Norsk varmblods ridehest er ikke en hesterase, men snarere en populasjon med hester. Varmblods ridehest finnes i dag over hele verden, men har utgangspunkt i tyske millitærhester.

Før Tyskland ble samlet til et rike i 1871 var de tyske statene stadig i krig med hverandre. Dette førte til et stort behov for hester til kavaleriet. Det ble derfor opprettet Land Gestüt i hver av det som i dag er de tyske delstater. På disse statlige stutteriene ble det mulig for lokale bønder å få bedekt hoppene sine for en billig penge

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. Gjenytelsen var at statstutteriet hadde førsterett på å kjøpe avkom. For å opprettholde en edel hest, benyttet alle de tyske avlsforbundene engelske fullblodshingster som foredlere. Disse hingstene tilførte i første rekke motor og sadelleie. Den dag i dag benyttes fullblodshester som foredlere

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Etter 2. verdenskrig forsvant hele det militære systemet i Tyskland, og det var heller ikke behov for hesten i landbruket. De tyske avlsforbundene og de tyske bøndene var imidlertid raskt ute med å utvikle en hestetype som kunne gjøre det bra innen hestesporten. I dag er varmblods ridehest benyttet til sprangridning, dressur og feltritt.

Varmblods ridehest er over århundrer avlet etter strenge kriterier og nøye avlsplanlegging hydration pack running. Det har resultert i en robust og edel hestetype med godt temperament. Temperamentet gjør at den også er godt egnet som en familiehest

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De fleste europeiske land har eget avlsforbund for varmblods ridehest. I Tyskland finnes det ett for hver delstat. I Norge heter avlsforbundet Norsk Varmblod og det er Norsk Hestesenter som er stambokfører.

Amdavad Ma Famous

Amdavad Ma Famous (Gujarati: અમદાવાદમાં ફેમસ soccer designs for t shirts, English: Famous in Ahmedabad) is a documentary film about kite flying festival in Ahmedabad, India. The film is directed by Mumbai based director Hardik Mehta and produced by Akanksha Tewari and Arya A. Menon facts about bottled water. The film was filmed with help of cinematographer Piyush Puty and Harshbir Singh. The film received the National Film Award for Best Non-Feature Film at 63rd National Film Awards for 2015.

Set during the kaleidoscopic backdrop of Uttarayana, the kite-flying festival in Ahmedabad city of India, ‘Amdavad Ma Famous’, witnesses the transformation of an 11-year-old Zaid from a boy next door to an aggressive and a passionate kite-runner, till he comes across a challenge that threatens to keep him away from the one thing he loves.

Amdavad Ma Famous is released on Netflix.

The film received the National Film Award for Best Non-Feature Film at 63rd National Film Awards for 2015. The film has also won the best short documentary award at the 2015 Budapest International Documentary Film Festival. It was nominated for the prestigious Golden Award and won the Jury Prize for Best Short Documentary at the Al Jazeera International Documentary Festival, Doha, Qatar in 2015.

The film also won the Golden Conch for Best Documentary (Up to 60 minutes) and Best Editor (Hardik Mehta) in the National competition at the 14th Mumbai International Film Festival in 2016. At 63rd Belgrade Film Festival, it won the Golden Plaque in International Competition for Best Documentary Short. The film was an official selection and in competition at 2016 Hot Docs Canadian International Documentary Festival, 2016 Palm Springs International Festival of Shorts, 2016 MAMI Mumbai International Film Festival, 2016 Indian Panorama at International Film Festival of India (IFFI) Goa. The film won Best Foreign Documentary at 2016 River Film Festival in Italy and 2016 All Sports Film Festival, LA, US how to make meat tender quickly. It also won Special Mention Jury award at 2016 International Documentary and Shorts Film Festival of Kerela (IDSFFK) and 2016 Smile International Film Festival for Children and Youth, New Delhi (SIFFCY).[citation needed]

Michigan gubernatorial election, 2006

Jennifer Granholm
Democratic

Jennifer Granholm
Democratic

The Michigan gubernatorial election of 2006 was one of the 36 U.S. gubernatorial elections held November 7, 2006. Incumbent Democratic Governor Jennifer Granholm was re-elected over Republican businessman Dick DeVos and three minor party candidates. Granholm was re-elected with 56% of the vote.

Granholm had no opposition in the primary election, which was held August 8. She retained incumbent Lieutenant Governor John D. Cherry as her running mate.

DeVos was originally facing two other Republicans; state Representative Jack Hoogendyk of Portage and state Senator Nancy Cassis of Novi, both dropped out by summer 2005. A political unknown, Louis Boven, tried to challenge him in the primary, but failed to meet Michigan election requirements to get on the ballot. Boven later ran an unsuccessful write-in campaign.[citation needed]

DeVos selected former State Representative and Oakland County Clerk Ruth Johnson as his running mate on August 14.

The Libertarian Party of Michigan held their convention on May 16 at the Comfort Inn in Chelsea The party nominated Gregory Creswell, with Scotty Boman as his running mate.

The Green Party of Michigan had their convention at the Wolverine Dilworth Inn in Boyne City, Michigan. The Green Party’s nominee was Douglas Campbell. His running mate was David Skrbina, a philosophy professor at the University of Michigan–Dearborn. Campbell, a registered professional engineer from Ferndale, joined the Green party upon learning of its existence in 2000, and was the Wayne-Oakland-Macomb county campaign coordinator for Green Party presidential candidate Ralph Nader, 2000.

The Constitution Party’s candidate was Bhagwan Dashairya, a member of the US Taxpayers’ Party. The Michigan US Taxpayers’ Party is affiliated with the United States Constitution Party, but Michigan election law does not provide a mechanism for changing the name of a political party. Dashairya was the first Asian Indian to run for Governor of Michigan.[citation needed] Dashairya’s running mate was Carl Oehling.

After her first election as governor in 2002, Granholm was widely seen as a rising star in the Democratic Party. Her popularity dropped after she took office in 2003, largely due to a weak economy and high unemployment. In August 2006, her approval rating was 47 percent.

DeVos, a multimillionaire, had developed substantial political contacts with the full participation of his wife, former Michigan Republican Party chair Betsy DeVos, despite which, fully 85% of the DeVos campaign’s contributions were from DeVos’ inheritance. As the 2006 election approached, the DeVos family was listed among the biggest Republican campaign contributors in Michigan. The DeVos campaign spent $42.5 million, at that time the most spent on a gubernatorial campaign in Michigan history. $35.5 million of that total came from DeVos’ personal fortune, and was at that time the most spent personally by a Republican candidate running for governor. The Granholm campaign spent $15.7 million. The combined money spent by both campaigns made this election the most expensive gubernatorial election in Michigan history. As DeVos funded his campaign himself, he was not eligible for public funds.

The DeVos and Campbell campaigns each made the state’s economy their major issue. DeVos criticzed the Single Business Tax, high unemployment, and job outsourcing which occurred during Granholm’s first term; Campbell assailed the $12 billion taken from Michigan’s taxpayers and appropriated to the military siege of Iraq (which he calls “Duh-bya’s Folly”) and advocated for a local currency, independent of the U small stainless steel water bottle.S. dollar which he and running mate David Skrbina say is in imminent jeopardy of collapse. Granholm countered that her policies saved thousands of jobs. She also attacked DeVos’s partisanship, wealth, and tenure at Alticor. One of Granholm’s most prominent lines of attack was the accusation that Alticor, under DeVos’s tenure, outsourced thousands of jobs to China while cutting 1,400 jobs in Michigan, a charge that the DeVos campaign and numerous media factcheckers denied. DeVos, Campbell and Granholm criticzed the Michigan Civil Rights Initiative which was exclusively supported by Creswell. and passed by a wide margin.

On August 25, 2006 insulated leak proof water bottle, Detroit Mayor Kwame Kilpatrick pledged to actively campaign for Granholm and utilize the campaign team which got him re-elected as mayor. The Michigan Democratic Party held their state convention in city of Detroit at Cobo Hall while the Michigan Republican Party held their convention in the City of Novi in Oakland County at the new Rock Financial Showplace.

In October 2006, the Creswell campaign spent over $10,000 on radio advertising

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, which while small, was the most spent on a such advertising by any Michigan gubernatorial campaign outside the Democratic or Republican parties. The largest investment was made in advertisements on Detroit AM Radio stations WJR and WXYT. These commercials specifically targeted Devos and Granholm by referring to them as candidates of “The two old parties,” and berating them for supporting state-supported preferences based on race and sex: A clear reference to MCRI. Campbell spent less than $1,000, as was the case with the Dashairya campaign.

The DeVos and Granholm campaigns agreed to three televised debates and a single joint appearance. This agreement did not include any provision for participation by third-party candidates. Granholm and DeVos appeared together October 12 at the Detroit Economic Club in which each candidate delivered their job plans.

The first debate occurred on October 2 at WKAR-TV in East Lansing. Both candidates spent the hour trading charges and countercharges. Detroit News pollster Ed Sarpolus indicated that there was no clear winner in the debate, but Bill Rustem, senior vice president of the nonpartisan policy firm Public Sector Consultants in Lansing, favored Granholm. The consensus of pundits Bill Ballenger, George Bullard, Kathy Barks Hoffman and Rick Albin and capital correspondent Tim Skubick, speaking on the October 6 WKAR-television program Off the Record, was that both DeVos and Granholm emerged losers, losing 2 and 4 percentage points’ support after the event. No major gaffes or zingers came out in the debate. Some of the positions were made clear on embryonic stem cell research and abortion. No major gaffes came out in the debate, but one minor zinger was made by Granholm about DeVos’ investment in Alterra, a chain of nursing homes which sexually abused and neglected its patients.

The second was October 10 at WOOD-TV in Grand Rapids. DeVos was more aggressive than before, declaring that Granholm had lied about him having a controlling stake in Alterra Health Care, an elder-care company that suppressed information about the abuse of residents by its employees. According to SEC filings, DeVos and his investment partners jointly owned 40% of Alterra stock totalling $173 million. The chairman of Alterra’s board, while a close associate of DeVos, nevertheless maintains that DeVos had no part of running the company himself.

DeVos also asserted that he had convinced President Bush to set a date to meet with the three major Michigan auto companies. Granholm responded that she didn’t believe that was true. DeVos admitted after the debate that he misspoke; the President agreed to have a meeting at some point after the election, but did not confirm a date. On October 24, two weeks after this debate was held, a mid-November date was set for the meeting.

The third televised debate was October 16 at WXYZ-TV in Southfield. Unlike the previous debates, this one had an invited studio audience of 30 undecided voters, some of whom asked questions to the participating candidates. Like the two previous debates, only two of the five candidates were admitted. Granholm and DeVos sparred on various issues including college tuition, Canadian trash, business taxes, President Bush and negative ads, while Creswell supporters picketed outside.

During the opening statements of the third debate what to use to tenderize meat, Gov. Granholm attacked DeVos for using pictures of dead children as a campaign tool against her. However, it has come to show that Devos was not the person using the pictures, but supporters of him, who were cheering for him outside of the debate studio.

On October 18 CMN-TV in Troy broadcast an additional debate.[citation needed] This debate was not covered by the agreement between the DeVos and Granholm campaigns. It was the only televised debate to which all gubernatorial candidates were invited. It also was only the only televised debate in which the majority of gubernatorial candidates participated. This debate included Libertarian Gregory Creswell, Green Douglas Campbell, and U.S. Taxpayer Candidate Bhagwan Dashairya (Dashairya identified himself as a Constitution Party (listed on ballot as U.S. Taxpayers Party) candidate).

DeVos, buoyed by the political ads he ran, led in the polls for most of the late spring and early summer. DeVos’ lead eroded when Granholm started running ads; meanwhile, Granholm built up a lead as voters found out more about the candidates culminating in the three debates, and as political fortunes soured for Republicans across the country due to a massive backlash against then president George W. Bush and fatigue over the continuing War in Iraq.

Stratton Oakmont, Inc. v. Prodigy Services Co.

Stratton Oakmont, Inc best handheld bottle for running. v. Prodigy Services Co., 1995 WL 323710 (N.Y. Sup. Ct. 1995) metal insulated water bottle, is a 1995 U.S. New York Supreme Court decision which held that online service providers could be held liable for the speech of their users.

In October 1994, an unidentified user of Prodigy’s Money Talk bulletin board created a post which claimed that Stratton Oakmont, Inc, a Long Island securities investment banking firm, and its president Danny Porush, committed criminal and fraudulent acts in connection with the initial public offering of stock of Solomon-Page, Ltd. Stratton Oakmont sued Prodigy and the unidentified poster for defamation.

The plaintiffs argued that Prodigy should be considered a publisher of the defamatory material and were therefore liable for the postings under the common-law definition of defamation. Prodigy asked to be dismissed from the case on the grounds that they could not be held liable for the content of postings created by its users, relying on a 1991 case Cubby, Inc. v. CompuServe Inc., which had found CompuServe, an online service provider, not liable as a publisher for user-generated content runners waist pack.

The Stratton court held that Prodigy was liable as the publisher of the content created by its users because it exercised editorial control over the messages on their bulletin boards in three ways: 1) by posting Content Guidelines for users, 2) by enforcing those guidelines with “Board Leaders”, and 3) by utilizing screening software designed to remove offensive language.

The court’s general argument for holding Prodigy liable holder for phone while running, in the face of the CompuServe case, was that “Prodigy’s conscious choice, to gain the benefits of editorial control, has opened it up to a greater liability to CompuServe and other computer networks that make no such choice.”

This case conflicted with the 1991 federal district court decision in Cubby, Inc. v. CompuServe Inc., which had suggested that the courts would not consider online service providers to be publishers. In that case, the court held that CompuServe should be considered to be more like a digital library than a publisher. The important difference between CompuServe and Prodigy for the Stratton court was that Prodigy engaged in content screening and therefore exercised editorial control. The holding in Stratton was overruled in federal legislation when Congress passed Section 230 of the Communications Decency Act in 1996. As a result, Internet service providers in the United States today are generally protected from liability for user-generated content.

Steven Parrino

Steven Parrino est un artiste américain, né en 1958 à New York et mort dans un accident de moto le à New York.

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En plus de peindre, Parrino a exposé des environnements peints qui comprenaient des murs monochromes martelés avec des masses comme les 13 panneaux de plâtre peints en noir et brisés en souvenir de la légende punk Joey Ramone appelée 13 Shattered Panels pour Joey Ramone (2001). Il a également réalisé des films sur la réalisation de ces environnements, ainsi que des sculptures métalliques élégantes dont les éléments pliés et pliés liés à ses toiles mal formées. Il a également exposé des photos de son bureau parsemé d’articles de journaux, de magazines et d’albums de musique qui l’ont souvent inspiré. Parrino a utilisé des sujets intentionnellement provocateurs comme des croix gammées abstraites, des drapeaux rebelles et des silhouettes de starters de Russ Meyer, Elvis Presley interprétés par Andy Warhol, les Hells Angels, Johnny Cash et d’autres œuvres d’Andy Warhol. Son travail a été appelé «maniéré, romantique, formule, conceptualiste-formaliste abstraction de garçon-art de métal lourd» par le critique d’art Jerry Saltz.

Après avoir fait ses études à New York (Parsons’ School of Design), Parrino choisit une voie artistique assez radicale, optant fréquemment pour l’emploi de l’acier, de l’aluminium, du béton, voire de l’huile de moteur (Slow Rot, 1988). Dans la lignée des tableaux noirs de Frank Stella, il propose plusieurs séries de sculptures utilisant cette teinte unique, travaillant sur sa brillance et sa luminosité.

Parrino se distingue également par une approche post-appropriationniste en partant de monochromes et en étirant et détendant la toile avant de la repositionner, toute froissée, sur le châssis.

Par ailleurs, il n’hésite pas à intégrer des icônes de la culture pop et punk américaine dans ses travaux : Marlon Brando, Courtney Love, Joey Ramone, Iggy Pop, Black Flag thermos sports, The Misfits, Poison Idea. glass water storage bottles..

Steven Parrino a également été commissaire d’exposition pour :

Karl Schenker

Karl Schenker, auch Karol Schenker (geboren am 23. Oktober 1886 in Sereth, Bukowina, Österreich; gestorben am 18. August 1954 in London) war ein britischer Fotograf, Illustrator von Modezeitschriften und Maler. Der hauptsächlich in Berlin arbeitende jüdische Künstler musste 1938 aus Deutschland nach London emigrieren und erhielt 1948 die britische Staatsbürgerschaft.

Das Kölner Museum Ludwig konnte 2014 rund 100 Fotografien aus dem Nachlass des Fotografen Hermann Koczyk aus Oschatz ankaufen und widmete Karl Schenker 2016 eine viermonatige Retrospektive bpa free reusable water bottles.

Am 23. Oktober 1886 wurde Karol Schenker als Sohn des Steuerinspektors Jakob Schenker und Rosa Schenker (geb. Schleisberg) geboren. Nach dem Umzug der Familie nach Lemberg (Polen, heute Ukraine) wurde Schenker um 1900 Mitglied der Freunde der Künstlerischen Fotografie und beteiligte sich seit 1904 regelmäßig an den Ausstellungen des Vereins. Bereits im Alter von 18 Jahren stellte Karol Schenker auf der Internationalen Allgemeinen Fotografie-Ausstellung für Amateurfotografie in Krakau seine Arbeiten aus. In der Kategorie Amateurfotografie wurde er mit einer Silbermedaille ausgezeichnet.

Es wird angenommen, dass Schenker an der Technischen Universität Lemberg studiert hat. Gemeinsam mit Fotografen Eduard Wasow betrieb er 1910 für einige Monate ein Fotoatelier in München, bevor er 1911 nach Berlin zog und am Kurfürstendamm 29 ein eigenes Atelier eröffnete. Karl Schenker arbeitete ab dieser Zeit für den Ullstein-Verlag, der in seiner Zeitschrift Die Dame regelmäßig Fotografien von ihm publizierte. Gleichzeitig fertigte er zahlreiche Porträtfotografien für Privatpersonen und Künstler an. Karl Schenker nahm regelmäßig an nationalen und internationalen Fotografieausstellungen teil, unter anderem 1913 am Londoner Salon of Photography und 1914 an der Kölner Werkbundausstellung. In seinem Atelier arbeiteten 1913 unter anderem die in Wien ansässigen Fotografen Madame d’Ora und Arthur Benda, bei denen er 1916 in Wien zu einem Arbeitsbesuch weilte. Im gleichen Jahr begann er die Lehrtätigkeit in seinem Atelier und im Berliner Lette-Verein. Zu seinen Schülern zählten der niederländische Fotograf Richard Polak und Toni Arens-Tepe.

Am 16. März 1915 heiratete er die russische Chemikerin Olga Labenska, die er in den folgenden Jahren häufig porträtierte. Das Ehepaar ging nach wenigen Jahren getrennte Wege.

Im Jahr 1919 gehört Karl Schenker zu den Gründungsmitgliedern der Gesellschaft Deutscher Lichtbildner (GDL). Für die Ufa-Filme Bismarck und Fridericius Rex fertigte er begleitende Bildmappen mit Porträts an. 1920 mietete Schenker ein komfortableres Atelier im Kurfürstendamm 6 an. Sein altes Studio übernahm die Malerin Jeanne Mammen, die hier bis zu ihrem Lebensende gewohnt und gearbeitet hat. Anfang der 1920er Jahre beteiligte sich Schenker an vielen renommierten Fotografieausstellungen, unter anderem an den jährlich stattfindenden Ausstellungen der Gesellschaft Deutscher Lichtbildner, der Ausstellung Berliner Photographie und der Deutschen Gewerbeschau in München. In dieser Zeit porträtierte er auch Leni Riefenstahl, die damals am Kurfürstendamm in der Tanzschule Helene Grimm-Reiter unterrichtete. Das Porträt erschien als Cover der Zeitschrift Uhu am 1. Oktober 1924. Von 1922 bis 1924 arbeitete Eleonore Feininger, die Tochter von Lyonel Feininger und Clara Fürst als Schülerin bei Schenker im Atelier.

Im Jahr 1923 lernt Schenker bei einer Auftragsarbeit die Wienerin Lilli Behrend kennen, die er kurze Zeit später heiratete. In diesen Jahren konzentrierte sich Schenker auf die Porträt- und Modefotografie. Im Jahr 1925 siedelte das Ehepaar nach New York über und der Fotograf Mario von Bucovich übernahm Schenkers Berliner Fotoatelier. In Amerika arbeitete Karl Schenker vorwiegend als Maler und Zeichner wieder unter seinem Geburtsnamen Karol Schenker. Auf einer ihm gewidmeten Ausstellung in den Gainsborough Galleries zeigte er einen Bildzyklus, der unter anderem Porträts von Enrico Caruso, Giacomo Puccini und Gerhard Hauptmann beinhaltete.

Im November 1930 kehrte die Familie nach Berlin-Tiergarten zurück und Schenker nahm die Arbeit für den Ullstein-Verlag wieder auf. Neben Modefotografien für die Zeitschrift Die Dame publizierte er auch wieder in dem Monatsmagazin Uhu. Im Jahr 1932 lernte er Ruth Elisabeth Engel kennen, die dann als Mitarbeiterin in seinem Atelier tätig war.

Nach der “Machtergreifung” durch die Nationalsozialisten wurde der Ullstein-Verlag “arisiert” und die Zeitschrift Uhu bereits 1933 eingestellt. Für Karl Schenker wurde es zunehmend schwieriger, seinen Lebensunterhalt in Berlin zu bestreiten. In der Zwischenzeit verwitwet, musste er nach London reisen, um am 10. Dezember 1936 Ruth Engel heiraten zu können, da dies in Deutschland zu diesem Zeitpunkt für den jüdischen Künstler nicht mehr möglich war. Am 15. Februar 1938 wurde Karl Schenker wegen “unvorschriftsmäßigen Verhaltens im öffentlichen (Straßen-) Verkehr” aus dem Deutschen Reich ausgewiesen. Die Familie emigrierte nach London, wo er 1938 ein Fotoatelier für Mode-, Porträt- und Farbfotografie, Retusche, Zeichnung und Werbung eröffnete. Zu seinen Kunden zählten auch in London zahlreiche Prominente, unter anderem die Ralleyfahrerin Jaqueline Evans und der australische Premierminister John Curtin.

Am 30. September 1948 wurde Karl Schenker die britische Staatsbürgerschaft verliehen. Am 18. August 1954 starb er im Londoner Putney Hospital in London Borough of Wandsworth.

Das Frühwerk Karl Schenkers wird hauptsächlich durch Damenporträts und Fotografien von Schauspielerinnen gebildet. Die häufig retuschierten Fotografien wurden von den Künstlerinnen und Künstleragenturen als sogenannte Starpostkarten und Autogrammkarten verwendet. Unter anderem porträtierte er Henny Porten, Fritzi Massary, Margit Barnay, Erna Morena, Wanda Treumann meat tenderizer seasoning recipe, Hansi Arnstädt, Lotte Neumann, Mia May, Dorit Weixler, Asta Nielsen und Lil Dagover sowie seine erste Frau Olga. Mitunter fotografierte er auch die Hunde seiner Kundinnen. Die Zeichnungen Schenkers von dem Musiker Jascha Heifetz und dem Komponisten Giacomo Puccini werden heute in der Art Gallery of Ontario gezeigt. In den 1920er Jahren entwarf Schenker eine Kollektion von Wachsfigurenpuppen, die er künstlerisch als Kunst- und Modefiguren inszenierte und fotografierte.

In New York widmete sich Schenker fast ausschließlich der Porträtmalerei. Er zeichnete überwiegend Aristokraten, Künstler und Damen der Gesellschaft sowie seine zweite Frau Lilly. Nach seiner Rückkehr nach Berlin widmete er sich ab 1930 inszenierten Mode-, Werbe-und Porträtaufnahmen, die als Photoregie-Arbeiten bezeichnete. Er wurde von Kaufhäusern

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, unter anderem vom Kaufhaus Nathan Israel und Modejournalen gebucht, um Katalog- und Werbeaufnahmen zu erstellen. Auch nach seiner Emigration nach England arbeitete er auch in London wieder als Porträtfotograf und Maler.